“Can't
you write it on the wall? You should know me better than that,
There's
no room to write it all, you should know me better than that” - “I
Should Live in Salt”
AW:
Listening to opening track “I Should Live in Salt” with the
knowledge that it's about your brother brings it into a much more
melancholy light. Is the song about the angst generated when he was
your roadie, or is it reaching back to when you were younger?
Matt
Berninger: I was thinking about how I left for college when he was
nine years old. Probably right when he was about to need me the most.
I missed him a lot over the next 20 years and when he came on tour we
were able to reconnect as adults. It wasn't always good though and
you'll see that in the movie (the documentary, 'Mistaken For
Strangers', directed by his brother, Tom Berninger). I had to adjust
to the fact that I couldn't really shape him anymore. I couldn't be
his "older" brother anymore. I needed to just be his
brother.
AW:
When did you write the lyrics?
MB:
After he got fired from the tour.
“I
should live in salt for leaving you behind...”
- “I Should Live In
Salt”
AW:
The unrecorded song “Rylan” (the band performed this song live on
CBC radio's Q three years ago) isn't on the new record and I wondered
what happens to songs like this? Is it like losing touch with an old
friend, like they've moved away, or realizing that you just don't
have much in common anymore?
MB:
“Rylan” will come out. It just didn't fit into the mix of these
songs.
"RYLAN" - Live @ CBC Radio
AW:
Well, “Rylan” is an odd name and your new song, “Heavenfaced”,
is an odd title, being a made-up word. High
Violet also
had one in “Lemonworld”, is this something you do often, make up
a word, or words?
MB:
Vanderlyle is also a made up name/word.
(editor's
note: the song “Vanderlyle Cry Baby Geeks” was on 2010's High
Violet)
AW:
Did you know that making up words is a symptom of some mental
disorders?
MB:
I didn't know that. Makes sense though.
AW:
How does that make sense? Just how often do people tell you you're
crazy?
MB:
No one tells me I’m crazy but, I can see how when the world becomes
a place you can no longer connect with, one might be inclined to
invent their own world, including language.
“I
can't blame you for losing your mind for a little while (so did
I)...” - “Slipped”
AW:
The past few albums seemed to have a strong design identity with, I
feel, Boxer
(2007) really bringing a sharp distinctive image to the band... how
much input do you and the others have with this aspect of promoting
your music?
MB:
Normally Scott (Devendorf) and I do all the design stuff... mostly
Scott. This time however we collaborated with a London based French
designer named Angela Bollinger aka Angela LaFont. She's the one who
found the cover image. She also helped with the type design of both
the record and my brother's movie 'Mistaken for Strangers'.
AW:
Trouble Will Find Me
has a strange cover photo, one which makes me uncomfortable the more
I look at it. What's going on with that picture?
MB:
It's a photo from an installation by the artist Bohyun Yoon . Lots of
naked people and mirrors. We like the image because it's creepy,
goofy and sexy at the same time. I also like that there was no
Photoshop or trick photography. Just a face and a cut mirror.
“I'm
having trouble inside my skin, I tried to keep my skeletons in...”
- “Slipped”
AW:
There've been rumblings online about several collaborators
contributing to the album like Sufjan Stevens and Sharon Van Etten...
what's the band looking for them to add?
MB:
We've become friends with a lot of very talented cool people over the
years. They either just come by the studio and hang out or we email
them files and ideas. We're never looking for "cameo
appearances." We often weave their ideas and contributions into
the songs in subtle often invisible ways. But if you listen close
you'll hear everybody.
AW:
Other than those different faces in the studio, what do you think
sets the making and writing of TWFM
apart from High
Violet?
MB:
We actually had almost all the same people in the studio with us on
HV so it's similar in that way. The main difference with TWFM
is that we all got along better than we have on previous records. No
one wanted to kill each other this time. I think we reached a level
of perspective and respect for each other.
AW:
By “got along better” who are mostly referring to?
MB:
Aaron and me.
“I
can’t fight it anymore, I’m going through an awkward phase...”
- “Demons”
AW:
How would you describe yourself when writing songs? Songwriter,
lyricist, poet, musician, or do you have your own word... and don't
say douche bag?
MB:
Songwriter. I tried to coin the term Wordsurfer, but it didn't stick.
AW:
Wordsurfer sounds like a superhero. Sounds like you want to join the
Avengers? What powers would you have?
MB:
No powers. With power comes responsibility and I'm lazy.
AW:
Were you into comics at all as a kid? Or now?
MB:
I was more of a National Geographic kid.
AW:
So you were a reader? What books did you read?
MB:
'A Separate Peace' and Hustler.
AW:
Okay, I can see how Hustler came into play in your songwriting,
especially “All The Wine” with the line “... I'm a birthday
candle in a circle of black girls...”. What else am I missing?
MB:
That line actually came from 'A Separate Peace'.
AW:
What? I guess I'm missing a lot... I've never read the book. So, is
this an actual line or image found in the book? What part of the
story inspired “... I'm a birthday candle in a circle of black
girls...”?
MB:
I was just kidding about that... my imagination inspired that line.
AW:
So maybe I was right... again that gives a whole new meaning to a
line like "high beams on my back". And also the song "High
Beams"... Wouldn't you say? Or am I way off track?
MB:
What's your interpretation of high beams?
AW:
When I was a kid that was a slang term for erect nipples. Maybe
things have changed, I am older than you, or maybe I grew up in Larry
Flynt's neighborhood.
MB:
That's way better than mine.
“There's
a lot I've not forgotten, And I let go of other things...”
- “Demons”
AW:
You said 'A Separate Peace' was a book you'd read as a kid. And that
book begins with the main character returning to the school he
attended as a boy where he visits two, what he calls, “fearful
sites”. If you return to your boyhood home what would you consider
fearful sites and to keep things upbeat, happy sites?
MB:
When I think about being a kid almost all of my memories revolve
around my Uncle Jack’s farm in Dillsboro, Indiana and my 5 Indiana
cousins, whom my sister and brother and I referred to collectively as
The Farm Kids. Most of my memories from that time and place are good.
We spent summers there working in the tobacco fields which later
turned into Christmas tree fields when my Uncle was ethically
compelled to change crops. We swam in a deep gorge that ran alongside
a railroad track. Legend had it that in the 20’s a passenger train
derailed and one of the train cars full of bodies was never retrieved
from the bottom of the pool where we swam. The rock walls of the
gorge were covered in graffiti. I remember lots of cocks and pot
leaves but also the occasional pentagram and swastika. My uncle had
us paint over those when they appeared. I also remember one night
when we all decided to camp out on the coldest night of the year in
sleeping bags around a huge fire. I woke up in the middle of the
night with my bag on fire. I was uninjured but the soles of my army
boots had melted off.
“I
am secretly in love with everyone that I grew up with...” -
“Demons”
“You're
fireproof, I wish I was that way...” -
“Fireproof”
AW:
From “Demons”: “When
I walk into a room I do not light it up... fuck”
- Do you feel that's what some people, or fans, expect of you? To
light up the room? That you're the point man for their favorite band
and you're going to blind them with a rose in your teeth.
MB:
No. It’s just a simple reflection on social anxiety. My brother on
the other hand does have a way of lighting up a room when he enters.
He has an instant charm and magnetic vibe about him. He’s a fuck-up
in many other ways but there’s no doubt he possesses a strange
intangible quality that people are drawn to. It’s why he’s the
hero of 'Mistaken for Strangers'.
AW:
You're on record stating that wine is how you loosen up, or drop some
inhibitions before you take the stage to perform... what about in
studio? How do you go about bringing forth a more uninhibited
performance when recording?
MB:
Also wine.
“It's
the side effects that save us...”
- “Graceless”
AW:
On the topic of wine... I came across online where your brother Tom
says that part of your pre-show ritual is to drink a 'shitload of
wine'... is there anything you could share about the pre-show rituals
of the other band members?
MB:
Those are their secrets. I don’t feel comfortable speaking about
this, but Bryan spends A LOT of time in the bathroom before every
show. Mostly adjusting his wristbands (and Bryce ritually kills a
canary).
“Let's
go wait out in the fields with the ones we love..” - “Heavenfaced”
Bryan's
wristbands and Bryce's canary supply will be packed and out on the
road, as the band begins touring Trouble
Will Find Me
on June 4th
in Providence, RI.
"I Need my Girl" - Live @ CBC Radio
